So what do we mean by each of these elements?

Let’s consider tic-tac-toe as the game we want to analyze using this model.

Now, this framework helps analyze games, whether similar products or inspiring titles. Imagine mechanics, dynamics, and aesthetics on a straight line: designers view games from the mechanics side, while players engage first through aesthetics what they see, hear, and feel then through interaction (dynamics), learning the rules as they play.

Designers work in reverse, crafting mechanics that trigger visuals, sounds, and emotions. The challenge is ensuring these mechanics create the intended experience.